Give me a script and I'll give you options.
Grumpy tavern keeper. Small-town sheriff. The villain who is far too pleased with himself. The steady voice on the last thirty seconds of a car ad. I've been told my range is annoyingly wide, and I have decided to take that as a compliment.
Most of the work is long-form: audiobooks, game NPCs, anything where one voice has to hold up over hours instead of seconds. I record at home in a room I have quietly obsessed over, and I send multiple takes every time, because the read in your head is rarely the first one out of my mouth.
Three of those are out in the world now: Christin Niebanck's memoir, I Wasn't Me Until I Left Everything Behind, Elias Thorne's The Book of Wisdom, and Kevin Schumacher's Loup-Garou. All three are on Audible, and I have stopped pretending I do not check the listings every morning.
